May 2008
Career Opportunity at CASI: Online Editor
Position and Application Details

12.03-05.2008
2008 Conference on Dalit Agendas: Emancipation, Citizenship, and Empowerment
Conference Site

 
 
The Nand and Jeet Khemka Distinguished Lecture Series "Judicial Overreach or Oversight?" [Video]
Justice Ruma Pal

The Nand and Jeet Khemka Distiguished Lecture Series "Reforming the Indian Banking System - Why It Is Important and What Can Be Done" [video]
Raghuram Rajan

 
 
Banias and Beyond: The Dynamics of Caste and Big Business in Modern India
Harish Damodaran

Is Larry Summers the canary in the mine?
Devesh Kapur, Pratap Mehta and Arvind Subramanian, Financial Times, May 14, 2008

Are the Indian armed forces facing a human capital crisis?
Devesh Kapur, The Indian Express, March 27, 2008
 
 
 





Mobilizing India: Women, Music, and Migration Between India and Trinidad


Tejaswini Niranjana
Senior Fellow
Centre for the Study of Culture and Society in Bangalore, India

Date & Venue:
April 16th, 2007
12:00 pm - 1:30 pm
Center for the Advanced Study of India, 3600 Market St, Suite 560
Philadelphia

Please RSVP in advance by email, fax (215.573.2595) or telephone (215.746.3159).

 
   
  Dr. Niranjana will discuss her most recent book Mobilizing India. Descendants of Indian indentured laborers to the Caribbean comprise more than forty percent of Trinidad's population. While many Indo-Trinidadians identify themselves as Indian, what Indian signifies-about nationalism, gender, culture, caste, race, and religion-in the Caribbean is different from what it means on the subcontinent, but are intimately related. Drawing on a variety of historical and contemporary materials, Dr. Niranjana argues that perceptions of Indian female sexuality in Trinidad have long been central to the formation and disruption of dominant narratives of nationhood, modernity, and normative sexuality in India. Turning to the present, Niranjana looks to Trinidad's most dynamic site of cultural negotiation: popular music. She describes how contested ideas of Indian femininity are staged by contemporary Trinidadian musicians-male and female, of both Indian and African descent-in genres ranging from new hybrids like chutney-soca to the older but still vibrant music of Afro-Caribbean calypso.

Dr. Niranjana is the author of Siting Translation: History, Post-Structuralism, and the Colonial Context and a coeditor of Interrogating Modernity: Culture and Colonialism in India.